Kodak’s Social Media Strategy: Backfiring Already?

by Chris Kenton on September 11, 2009

Kodak

Last week I wrote a short analysis of Kodak’s surprising move with the Zi8 pocket camera, explaining how Kodak had obviously been listening intently to consumer discussions about pocket video cameras, and rather than making the usual incremental upgrade to one or two features for their next release, they threw down the gauntlet and upgraded just about every feature mentioned on user wish lists. This was an unusual move in consumer electronics, where the industry pace for upgrades is typically much slower–a move all the more interesting because it was so obviously enabled by social media monitoring. (How do I know? Because our sister company SocialRep was tracking the same space for Creative Labs, and tracked the same user wish lists in relation to the Vado.)

Jeff Hayzlett, Kodak’s CMO, has been praised and criticized in equal measure for his approach to marketing, which not incidentally includes a big dose of social media. Jeff is an avid user of Twitter and Facebook, and in general a great advocate for social marketing. The fact that he was listening closely to the market is a good thing. The question is, what do you do with what you learn? How does it effect your market strategy?

Last week, I hinted that maybe Kodak has something up its sleeve. Why would a company dramatically accelerate the pace of the product lifecycle? Sure, in the short run, you grab a lead over your competitors and force them to play catch up while you… run ahead. But for that strategy to pay off, you better have some idea of where you plan to run. I had visions in my head of new innovations Kodak might have on deck, from on-device editing tools to face-recognition tagging, or maybe optical zoom and interchangeable lenses. Sure, all in a $200 camera, right? Hey, who would have thought we’d have so much technology in smart phones these days. Well, it turns out I got too far ahead of myself. And maybe Kodak did too.

This week, one of the first hands-on reviews came out from a very influential source. Macworld reviewed the new Zi8, and the verdict was not kind.

Browse through the many pocket camcorder reviews we’ve published and you learn that these camcorders are limited in significant ways—no image stabilization, no exposure or white balance controls, no optical zoom, no support for using external microphones, and no support for 1080p high-definition video. Kodak hasn’t addressed all these limitations with the Zi8, but it does take a shot at some of the most significant—specifically, image stabilization, 1080p shooting, and support for external microphones. Regrettably, none works in stellar fashion or makes up for a camera that’s a fairly average performer.

The review goes on to deconstruct all the areas where the Zi8 falls down, which is a 1-1 list of all the areas the Zi8 was supposed to be jumping ahead of the competition. The best the review could say about the Zi8 is that it “isn’t a terrible pocket camcorder.”

It’s just that in the areas where it differentiates itself from other cameras in this class—1080p video, external audio input, and image stabilization—it doesn’t perform well.

That pretty much throws cold water on the notion that Kodak can run ahead while the competition plays catch up. It also deflates the entire premise of the word-of-mouth excitement Kodak generated when they announced the camera, immediately dubbed by drooling analysts as the “Flip Killer”. The question now is whether or not the bullet-points on the camera box will be enough to sway a large number of customers who don’t know how to Google product reviews.

I don’t know what happened at Kodak, but I can’t help wondering if they let marketing run ahead while production couldn’t keep up. The circumstantial evidence seems to suggest that marketing listened to customer dialog–as well they should–but instead of prioritizing a list of functions they could wrap into the next release at a reasonable level of quality, they got excited by the notion of baking everything into the camera so they could kill the competition. Unfortunately, they didn’t hit the mark, and the result is arguably worse than if they had kept with the strategy of incremental upgrades. The criticism from Macworld is doubly painful because Creative used their production cycle for the next version of the Vado, in part, to vastly improve their support and integration with Macs. Kodak has inadvertently handed Creative a really nice story to tell Mac users when the new Vado is released September 20th.

Not to jump all over Kodak, but there’s another big social media question with regard to Kodak and the Zi8. Kodak made big fanfare of a consumer contest to rename the camera. They got a lot of buzz on Twitter and in the media for the contest–including this breathless review in the Boston Globe. That was weeks ago–an internet eternity. No name has been announced, and the Zi8 is being marketed and sold under the old name they had obviously decided was in need of a change. What’s the deal?

I’ll keep updating on this as the story unfolds. I applaud Kodak for the way they’re pushing traditional boundaries with social media, but there’s obviously still a lot for us all to learn about how social media interacts with market strategy.

RE: Marketing, Innovation and the Creation of Customers

by Chris Kenton on September 9, 2009

This post is a response to a fascinating post by the remarkably thoughtful Venkatesh Rao at RibbonFarm. Trying to summarize his post would take an entire post in itself, so I’m simply going to respond and see where the conversation goes.

My only quibble with Venkat’s post is the description of marketing as inherently a numbers game, “by definition”. My argument is that we have distilled marketing into a numbers game because that’s a convenient way to reduce perceived uncertainty and market risk. The reason marketing and engineering look so much alike is that businesses have ~made~ marketing more like engineering, because engineering customers with the efficiency of a machine is far more attractive to the numbers-oriented inmates running the corporate asylum. The average marketing executive answers far more to the CFO these days than they do to customers.

The problem with the marketing funnel as the defining metaphor for marketing is that it’s a machine of efficiency, not effectiveness. It’s like a speedometer–knowing how fast you’re going is great, but it doesn’t tell you if you’re driving off a cliff. You can be incredibly efficient in marketing going entirely in the wrong direction. Which is why partnerships between marketing and engineering, as Venkat points out, are critical. But a more perfect partnership for the purpose of simply creating a better machine to manufacture customers is still missing, I think, the point that the social media revolution signifies.

Let me say clearly, first, that I don’t think social media itself is the point–or the really even the revolution that matters. It’s an indicator of something far deeper at play, which I’ll summarize now, but which requires a more lengthy post to give it the kind of justice Venkat has given to the topic in his post.

Underneath humanistic rhetoric about authenticity, the creation of a customer is an act of control…This explains why customers need to be created, and what innovations really are. Innovation isn’t about creating novel products or services. An innovation is a stimulus that causes a novel and stable pattern of human behavior to emerge.

I think that’s a perfect description of the elevation of what I call “The Magnificent Machine”–the distillation and abstraction of business as a self-substantiating institution, connected to society only through the lens of predatory economics. But business has *always* been a social construct as well. The marketplace is social. Business ecosystems are social. Deals are made and brands are built on trust, which is a social contract. And over the past 100 years, business has arisen in many ways to become the defining construct of human and social identity: More people know themselves by what they do for work, what they buy, what they wear and drive, than by the more traditional frameworks of religion, geography and clan.

But business as a social construct is not convenient for businesses. It’s far more convenient, far less risky, to manufacture customers than to participate meaningfully in a customer community–to the degree that most businesses even accept the importance of the social environment, it’s used as a tool to exert leverage in the customer manufacturing process. As a fungible commodity, customers produce greater short-term margins if you can jettison all that messy social contract stuff labeled as corporate responsibility, green business, not to mention all the costly legislation that protects consumers. The problem is, customers are not isolated patterns of human behavior–they interact. They share impressions, compare product notes, and through the growing accessibility to social networking technology, exert a greater influence over brand reputation and purchasing decisions than the marketers trying to influence them in an “act of control”.

My argument is that what’s driving this change is not social media technology–that’s the enabler. What’s driving it is a fundamental response to generations of being preyed upon by business as a fungible commodity–of being targeted by relentless campaigns that reduce the meaning of the social/business interaction to a process of efficiency that’s convenient to businesses, but not to their customers. Why else have we created do-not-call lists, spam legislation, and government programs for consumer protection? In the simple terms, “consumers” are tired of being minimized in the social contract with businesses. Most would not be able to articulate an intention to change the equation, much less identify any chain of causality between their behavior as consumers and the outcomes shaking so many stalwart markets. They just know that listening to commercials sucks–so they buy a Tivo, or watch more content online. They just know that the fun of buying a product is often killed by finding out the product is junk–so they go online to find out what other people have experienced with the product before they open their wallet. They just know that the realm of social relationships defined by school, work or home are now only slice of what’s available–so they connect with distant friends and new colleagues they meet online to expand their base of knowledge and engagement, much in the same way I’m interacting with Venkat now.

This is a ~real~ phenomenon, and again, the technology is a great enabler, but the drive is more fundamental, more human, more social, than just media. If the relentless drive among humans for understanding, for finding meaning in our lives, can give rise to religion, philosophy and science, why would it not also generate a response to a social and economic equation that has minimized the essence of being human to a stream of consumption behaviors manipulated for the benefit of business?

In sum, businesses are motivated to create the most efficient machine for manufacturing willing customers at the greatest profit. Unfortunately, that motivation is predatory by definition to the people framed as the target consumers. Technology enabled businesses to sway the equation in their favor, by using it to improve the cost of production, to enlarge markets with the technology of transportation, and to flood those markets with carefully choreographed messages to influence purchase decisions. As long as all that technology was expensive, it was an equation defined by business control. But as technology has been increasingly commodotized, consumers have found the means and the opportunity to stem the overwhelming influence of business–a reaction I’m arguing has a fundamentally social root. It’s messy and chaotic, but trends are emerging that show how new lines of power might emerge.

I don’t think any of this minimizes the importance of numbers-driven marketing–businesses are still in a game of survival with aggressive competitors, and they need efficient processes to succeed. But I think that’s only half the story businesses need to understand in today’s changing environment. Customers are not isolated and mass-replicated patterns of human behavior. They are communities of real people who function increasingly as self-organizing systems of market influence, and engaging them profitably and sustainably means a lot more social participation in the process of marketing and innovation than asymmetrical and efficient acts of control.

Brilliant post, Venkat. I agree with so many of the details you describe–and wish I did them better justice with a more refined and less rambling response–it’s only the abstracted picture of where those details drive most businesses that I offer a counterpoint.

Update: In one of the funniest emails I’ve gotten in a long time, a company just notified me that my discussion of the concept “manufacturing customers” violates their trademark, so in the future, they’d like me to know I’m required to capitalize it in acknowledgment of their ownership. I would post the name of the sender, but a) it was a private email, and b) I don’t want to advertise the company. However, if they’d like to post their email as a comment, and make good on their offer to “join the conversation” maybe we can start with a discussion of the fair use doctrine.

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CalculatorEvery one of us has unique experiences in life that help shape the way we see the world. In fact, of the nearly 7 Billion people on the planet, or even the 11 Billion estimated ever to have walked the earth, it’s a remarkable thing that we can say with unassailable confidence that every single life is unique. Genes and the circumstances of life experience guarantee that no two human lives across the span of history will ever be identical. Interesting concept.

One of the experiences that shaped my world view was growing up with an older brother for whom circumstance created an unbearable burden. To the outside world I was the good kid, he was the bad kid. I went to college, he went to prison. I was the picture of potential, he was the essence of disillusionment. While that perception was reflected back to me almost every day of my life, I knew my brother’s die was cast long before he was even born. Born on a military base to a soldier who’d brought a villager back from the Korean war as a wife, given up as an infant, and adopted into a lily white family to spend a lifetime as the odd one out.

I grew up in the shadow of his tragic arc untouched. Mostly. I saw the muted and reflexive racism from strangers and even family friends. I saw the desperation of needing to belong. I saw the anger and destruction. How many family dramas? How many arrests? How many times in juvenile hall, and then jail, and then prison, before he dissolved into the shadow everyone shudders to recognize as a homeless heroin addict on the street in San Francisco? And God, how many programs and attempted rescues along the way?

But I knew something else. I knew someone that was part of the family before I was born. Unquestionably my brother. I knew an amazing artist, even though he never had the confidence to see it. I knew someone of extraordinary empathy, borne as it was of an unrelenting isolation. I knew someone with potential no less than mine but for the circumstance that would have crushed me in his place.

I’ve had a lot of time to think about that. What the world sees. What I see. A junkie. A brother. My life and his life and the impossible trajectories of chance.

So I was sitting in the car one day, lost in a long line of traffic behind a stop sign in a leafy neighborhood on the most perfect of days. Inch forward. Stop. Inch forward. Stop. And when I got to the intersection, swimming through a haze of benign and disconnected thoughts, my attention suddenly sharpened into focus on a broken down man sailing through the intersection in front of me on a broken down bike, with a wide and toothless smile. And I caught my first reaction, the reaction I’d seen in the faces of people sizing up my brother, and I started to wonder what I didn’t see in the life rolling past me. And something clicked.

I started thinking, if I were God, aside from the obvious questions–of evil, free will, of why bad things happen to good people for no apparent reason–why would I create a world in which billions of people are guaranteed to live entirely unique existences? What’s the point of that? And why would such a fabulous mechanism of mass singularity, were it created by design, have so much accommodation for suffering so often delivered by chance? The answer materialized as fast as the question, before the toothless guy had ridden past my car.

What if every living soul is one digit in the total calculation of human experience? Every experience, every life, would signify equal importance to the whole, even if the intrinsic value of individual digits–pain here, glory there–is different. The value of one life can be judged by the world, or its owner, to have greater or lesser value, but on a deeper level the meaning of one life to the whole is the same as any other, homeless addicts and saints alike in their contribution to the sum of all possible experience. For some reason that struck a chord with me–as if lending me the freedom to see the life of a heroin addict without denial or condemnation, without the rationalization of victimhood, without understanding or the need of it. One life equals one placeholder in the calculation of human experience, and the engine of singularity ensures the contribution of value for every life regardless of choices or trajectories, tragedies or triumph, and above all regardless of judgment for the ripples of creation and destruction that flow from it.

And the toothless man rolled on.

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Kodak Throws Down the Social Media Gauntlet

by Chris Kenton on August 31, 2009

Post image for Kodak Throws Down the Social Media Gauntlet

Over the past few months I’ve been analyzing social media marketing data produced by our alter-ego/partner SocialRep. One of the industries SocialRep tracks is consumer electronics, which includes endless sub-sectors where pitched battles for the hearts and minds of consumers play out every day. Many companies in this industry have become savvy about social media–few industries attract more online dialog than electronic gadgets–but the tactics companies use to integrate social media with traditional marketing programs varies widely.

One of the more interesting battles has been playing out in the pocket video market, where the Flip made a splash three years ago introducing a tiny video cam with no tape, just memory, and they dominated the competitive share of voice in online dialog for that sector ever since. What made this remarkable was that Flip’s maker, PureDigital, was an upstart, and they caught the industry heavy-weights flat-footed. Sony, JVC, RCA and other household brands were slow to respond until the brush fire started by PureDigital became a serious sector of the video market.

If it looked like the Flip came out of nowhere, in a way it did. PureDigital had been making cheap disposable video cameras for sale in CVS Pharmacy, and they anticipated market demand for a reusable version–a cheap video camera that would slip in your pocket. At the time, interest in YouTube was exploding, but the big handycam players were still focused on big and expensive cameras–at least, big and expensive compared to the Flip pocket cam. The tradeoff with pocket cams, of course, is quality; a tiny camera forces lots of compromises. But if you’re creating short video for sharing online, you can afford a drop in quality that no one will notice on the Web. And the opportunity to capture candid moments they’d never haul out a standard video camera to film caught the imagination of web-savvy consumers.

In time, competitors joined the fray. Creative Labs, the prolific engineers that produced the Sound Blaster and essentially invented MP3 players, outdid the Flip with a smaller camera called the Vado that went head-to-head on features and quality. Kodak appeared with their own version, the zi6, and took an interesting niche approach by creating a ruggedized version targeting the travel market. Sony came out with the Webbie, and Samsung and RCA weighed in as well.

pocketvideo

So now you have the typical consumer electronics market dynamic: a number of players, each kicking and scratching for a foothold based on features and price. With each successive release of an updated model–which seems to be at a pace averaging two releases per company, per year–the competitors up the ante in one way or another. One company comes out with an 8GB camera, another comes out with a higher quality lens. In this way, the market slowly ratchets forward, with each competitor leveraging an incremental advance on features, quality or price. It’s a Kabuki dance that plays out the same away all across the industry. That is, until now.

If you carefully track the social media conversations about pocket video cameras, you eventually wind up with a comprehensive list of all the features people care about. Not everyone cares about the same features–some want better audio features, some want better editing software, some want higher video resolution–and the wish extends down to special features that vary among the different categories of users and their intended applications for the camera. As each new release of a product comes to market, you can track which features get checked off with a cheer, or with a groan when one contingent’s favored feature doesn’t get upgraded. This is one of the great promises of social media–listening to consumers to plan and build better products.

It turns out, Kodak was listening as well. Kodak’s CMO, Jeff Hayzlett, has been both celebrated and bashed for his approach to marketing, which includes a heavy dose of social media. Kodak is all over Facebook and Twitter–they’re just winding up a contest on Twitter to rename their newest camera–and they’re doing all the things social media gurus say a savvy company should. But when they announced the release of their newest camera, they demonstrated that they really had been listening. Instead of making an incremental advance on one or two features to move an inch ahead of the competition, Kodak cleaned up the entire list of every feature consumers had mentioned online on their wish lists. In one go. And it was uncanny. As I went back through the SocialRep data looking at the features consumers had discussed over the past 6 months, it was obvious Kodak had created the same list, and used it as a product roadmap for the Kodak zi8.

So this will be an interesting case study.

The zi8 was announced a few weeks ago, and the response to the announcement among the gadget analysts was almost apoplectic. Everyone cheered. When the advance models went out to reviewers, you could see the dialog shift ever so slightly. “Sure, it’s 1080p resolution, but how much difference does that really make? Tough crowd, but of course, reviewers need something to complain about. The real question will be how consumers respond when the camera rolls out next month–no word on Amazon pre sales yet–and what that says about social media as a marketing tool.

Will Kodak displace the Flip in competitive share of voice? (A “forensic” analysis of Flip’s marketing tactics and how Kodak’s tactics compare is an entirely different topic, but one I’ve been tracking as well for a social media case study.) There are so many angles to look at now that there’s a clear case of a company leveraging social media to tune product development. Clearly, the market has been recalibrated for pocket video cameras–every player will now have to approach parity with Kodak in features sooner rather than later. But will that kind of development acceleration across the market help Kodak? It will certainly shift the focus of development to a new set of features next year, which could give Kodak an edge as they look ahead while all their competitors focus on playing catch-up. But do they have a vision for where to take the market now that consumer’s baseline ideals have been answered?

Needless to say, I’ll be continuing to watch this play out, and watching more of the data as the story unfolds. I’m hoping maybe I can draw my friends Jonathan Knowles and Victor Cook into the discussion to parse some of the competitive market share data.

Disclosure: SocialRep is a MotiveLab partner, and provides social media intelligence software to Creative Labs.

Wikipedia and the Natural Selection of Truth

by Chris Kenton on August 26, 2009

Siamo sabbia in un soffio di vento che già se ne vaThe Internets are buzzing today over changes announced to the process of editing articles on Wikipedia, which represent a major step in the evolution of the world’s first crowdsourced encyclopedia. Moving forward, changes to articles will not only require registration, but any changes to the biographies of living people will require approval from an authorized editor. This is another big evolutionary step from what started out as a completely open encyclopedia allowing additions and edits from anyone. Between two articles, one at The New York Times and one at CNET, you can get most of the relevant history and analysis of implications. I’ve got a different angle.

I grew up surrounded by books. One entire shelf in the living room was devoted to the weighty volumes of the Encyclopedia Brittanica, which subtly took root in my mind as the tangible embodiment of objective truth. I didn’t question, until much later, the concept of an ultimate authority for the veracity of basic truths, much less any motive for manipulating dry facts. Later in life, when I followed my parents into journalism, my first internship out of college was working as a Fact Checker for a large magazine. My only job was to read draft articles line by line, and make use of every reference source imaginable to double check the truth of every stated fact. I couldn’t believe the diligence required to get a single article into print, but it taught me that even careful writers make mistakes of omission and commission–and it gave me an added sense of faith in journalism and the pursuit of objective truth.

The Internet seems to have changed all that–or to put it more accurately, the Internet has helped disabuse me of my illusions. I remember in the early days of the mainstream Web, when I could follow major news stories from new angles. I remember reading news about the war in the former Yugoslavia, for example, on a translated version of Russia’s Pravda, and realizing how far truth diverges on different sides of the front line–and how much bias I had missed in the media I grew up accepting as objective truth. That was almost 15 years ago. Today, the fragmentation of media and the rise of blogs and social media has created a world of Truth on Demand–we can all subscribe to sources of information that mirror our values, our expectations, and our cultivated biases. Even the most fundamental facts can be, if not disproved, battered into irrelevance by an avalanche of counter claims and noise.

This, to me, is the greater backdrop of Wikipedia’s evolution. The institutional control of facts is disintegrating in front of our eyes, and although Wikipedia embraced that anarchy, it’s ultimately proving unworkable for a proposed universal reference of objective facts. Someone, ultimately, has to arbitrate what is published as true. The question is, how large can a community of people that accept that arbitration grow, before it divides into competing interests of what is determined to be true? And who, in the end, owns the power of arbitration? One fact The New York Times conspicuously missed in its reporting on Wikipedia is that the foundation started by Ebay’s founder, Pierre Omidyar, just gained a seat on Wikimedia’s board in return for a $2M donation.

Welcome to the natural and economic selection of truth.

Photo credit: apesara

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What I did on my Social Networking Vacation

by Chris Kenton on August 18, 2009

tracksYou know that feeling you have when you come back from vacation? I mean a real vacation, not a couple of days off still tethered, where you slip back into your routine as if you were never gone. A real vacation means disconnection, unplugging from the routines and modalities that form the cast iron mold of daily life. When you return from disconnection, if you’ve really achieved it, reconnection is uneasy. All of the routines are familiar but they don’t quite fit. Everything that used to run on autopilot now occupies a thread of attention. For a while at least–maybe just a day, or a week–you’re an observer of the episodes of your own life. What do you see?

The conventional wisdom about vacation is that it provides perspective. By stepping outside daily routines, you can see things differently. And there’s a simple scientific reason for this. Routines are a mechanism that allow living organisms to conserve energy and prioritize attention. The more behaviors we can relegate to autopilot, the more energy and attention we can conserve. Our environment solidifies those routines, providing constant cues to keep the autopilot on track. When you get to the corner, turn right. When you open the front door, keys go on the hook. Have you ever had the experience of driving miles to work and suddenly realizing as you step out of the car that you have no recollection of the trip? That’s autopilot–a critical evolutionary mechanism for living organisms, but also a barrier to change.

Unplugging from routine by taking a vacation breaks the patterns and cues that help your life run on autopilot, providing the familiar and valuable opportunity for perspective. The challenge is, when you come back to ordinary life, the environmental cues and routines are a powerful draw to put you back on autopilot. Which is why so often the epiphany gained on the mountaintop fades away on reentry–and also why I think that fleeting sense of uneasy recalibration when you return to routine is more important than the epiphany of perspective. The most earthshaking insight on vacation is meaningless if it dissolves in the return to an old routine.

So why am I navel-gazing about vacation and breaking routines? Because I’m just coming back from my own vacation from social networking. At some point this spring, in the middle of all the growing hype over all things Twitter, I realized I needed to step back, unplug, and find some perspective. I turned off Twitter, stepped back from Facebook and Friendfeed, and put blogging on the shelf. Since I have social media clients and customers, I was still hearing the noise from the echo chamber, but I dropped all my own routines until I lost the imperative to connect online myself. Instead of dutifully blogging and tweeting, which, as a social marketing professional I’m supposed to do, I spent weeks offline, focusing only on my business and customers. Then I returned only as a consumer, finding new places to connect that really interest me, like Gizmodo and my new favorite site ThereIFixedit, and going on Facebook and Twitter just to connect with friends.

The insights I had on that vacation were useful–I’ll write more about why I think Twitter is going to fade, why SocialCRM is a 4-lane highway to a one-lane dirt road, and why automation will be the catalyst for the next Google–but for the moment, I’m focusing on the return, the uneasy recalibration to old routines. The critical insight for me is to really inhabit that discomfort. Magnify it. Watch routines as a detached observer as long as I can so I can make choices about what routines to drop because, as comforting as they are in easing the expense of energy and attention, they don’t work for me anymore.

One change has already come out of that resistance. I realized this blog wasn’t working for me. I was writing about what I felt I should write, rather than what really motivates me. Actually, Jeremiah Owyang pointed this out to me earlier this year in response to a post I wrote that wasn’t about marketing, but was an observation about life. He said that wasn’t what he read my blog for as a social media professional. He was right, but I realized that made me feel cornered. So I’ve made some structural changes that will take effect this week. From now on my professional social media posts will all originate at MotiveLab, and will appear on this blog as a syndicated excerpt. If all you want is marketing insights, they’ll still be embedded in this feed. On this blog, I’ll be writing about other things that interest me–still from the perspective of a marketer and technologist–but also giving me space to include navel-gazing insights about life, the universe, and everything. If you want to tune that out, just subscribe to the MotiveLab feed.

42.

Photo Credit: Chris Kenton

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Social Media Isn’t the Real Story in Iran Today

by Chris Kenton on June 16, 2009

iranian_protest_election_results_26With the events unfolding in Iran over the past few days, there is no shortage of breathless commentary on the role of social media in what some will certainly dub Revolution 2.0. While following these events very closely as a social media advocate, I have to say that I resonate far more with the social story that is emerging than the media story. That’s not to say that the ways we’re seeing sites like Twitter, Flickr, YouTube and Facebook being used to galvanize Iranian protesters and inform the world is not compelling. But this stunning showcase of social technology would not exist without the profound depth of bravery, determination and community shown by so many ordinary Iranians.

Although it’s impossible at this point to know the full impact technology is having on events on the ground in Iran, it’s obvious social media is bringing a far more compelling picture of what’s happening to anyone who wants to witness it, and that alone is revolutionary. While our major news networks perform the ponderous work of compiling and verifying a thin stream of facts according to the traditional time line of the 6am/6pm/10pm news cycle, bloggers and protesters are creating a real-time stream of first hand accounts of events as they happen. The beauty and the danger of this phenomenon is the heightened sense of involvement—that this is not only a domestic political event, but a profound and universal drama in which we all have a stake. By retweeting proxy IPs that Iranians reporting from the street can hop to evade network clampdowns, or joining a Denial of Service attack against the Web sites of the Iranian state, people all over the world are, in a way made possible only by technology, global participants in local events.

But to elevate this fascination with the growing power of social technology misses the most important point. Technology does not provide the passion for tens of thousands of people in Tehran to take to their rooftops and shout down a corrupt government. Technology does not draw hundreds of thousands of housewives, students and shopkeepers into the streets to face down frightening attacks by baton-wielding storm-troopers on motorbikes. Technology does not supply the courage for an unprotected crowd to stand in the face of sniping fire and hold their ground, and it does not provide the compassion of a crowd that protects a captured thug from violent reprisals. A country awash in social media technology is no guarantee of such monumental spirit shown by ordinary men and women in Iran today, resonating with one voice against a government that has failed them. Praising the technology is like celebrating the bullhorn rather than the message it carries.

I suspect when all is said and done we’ll find that as crucial as technology has been as a tactical aid for the early protests in Iran, the greater impact is the way the raw story from the streets became a universal story that vastly enlarged the community of protest, providing validation, and perhaps galvanizing the courage of those standing in the street, while reminding the rest of the world what it looks like to stand up against tyranny. As the Iranian government cracks down more aggressively on the vulnerable tools of social networking, it will be only that fabric of community and purpose that remains to bind them. There is no technology that can replace that.

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Online Community Unconference

by Chris Kenton on June 2, 2009

Continuing the thread of what my partners and customers are doing that’s worth noting…

For the past year or so, I’ve participated in Bill Johnston’s Online Community Roundtables here in the Bay Area. The roundtables are some of the most engaging and informative meetings around. The participants are a blend of corporate marketing practitioners and Web 2.0 experts, anchored by a number of local luminaries and veteran community managers. And I do mean veteran. At least one of the regulars goes back to the early days of The Well.

The style is driven by an ad-hoc agenda: before the roundtable starts, everyone has an opportunity to add a topic to the agenda on a first-come first-heard basis, with no product pitches or proselytizing. Nine out of ten topics are issues with serious depth and discussion, from community management and marketing to platform and technology challenges, and the mix of experience and point-of-view in the room always ensures insightful discussion. I’ve gained far more insight from discussions among practicing community managers than from the experts and luminaries that proliferate and pontificate online.

Next week I’m heading down to Mountain View to participate in the Online Community Unconference–an annual conference version of Bill’s local Roundtables, hosted by Forum One Communications. Just like the roundtables the mix and the open format are conducive to learning from peers who are dealing with the real day-to-day challenges of community development, management and marketing. I’m sure, just like the roundtables, there will be a great mix of marketing managers, veterans and luminaries, and I’m certain the dialog will be the most insightful fare around. Take a look at the session highlights from previous unconferences on Bill’s blog.

I very rarely pitch anything on my blog, but if you’re in the Bay Area and you’re involved in social media marketing, this is an event you shouldn’t miss. Registration is available online. The event is at the Computer History Museum in Mt. View.

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Content is Still King

by Chris Kenton on May 27, 2009

83I‘m participating in a Webinar this afternoon hosted by my long-time friends and partners at Clickability. The Webinar is all about storytelling in the age of social media, or to be more pithy, how content is still king. This is hallowed ground for me. I got my degree in Creative Writing as an aspiring starving poet, but then became a journalist when I didn’t enjoy starving. My first startup was in Web-based publishing, and as a marketer I’ve leveraged my passion for writing to better understand the power of positioning and messaging. Today, SocialRep is all about gathering and making sense of consumer stories.

My perspective on content today is shaped by what’s happening to the structure of media. I’ve been hammering this concept of the media bubble and how it’s bursting, and content is one of the main issues at play. Think about the media structure we’ve grown up with: a monolithic media edifice in which a cohesive story–whether news, PR or advertising–is researched, baked and transmitted like a surging tide over the accepting audience. All of our business infrastructure is built around this edifice, rather than the customers who buy our products. Advertising isn’t about relationships with customers, it’s about relationships with media buyers and media channels. PR is about relationships with analysts and reporters. To the extent that we incorporate customers into the story, it’s either petri-dish research into demographics and psychographics, or convenient case studies that exemplify our storyline.

All of that is changing, for reasons I won’t rehash, but you can read about in the media bubble post. The point for businesses today is twofold: 1) barriers to business are reduced by technology and increasing global competition, which means more competition for customer attention, 2) big media is faltering, which means the channels for telling the story the way we’re all used to are narrowing.

The simple fact is that companies can no longer rely on getting their story out to consumers effectively through the old media channels. Getting your story out through social media is rapidly growing alternative, but it doesn’t function the way businesses are organized to operate. You can’t just bake a story and hit “send” and expect that consumers will digest it. They’re more likely to challenge it, and call BS on every little point of convenient spin you’ve so carefully crafted. Instead, companies need to live their stories, and they need to take ownership of their own storytelling.

I won’t take the wind out of the Webinar. We’ll be talking about content in the context of social media, including marketing and selling processes and of course, technology. Robert Carroll, VP of Marketing  from Clickability is hosting, and I’ll be joined by Sandy Carter, VP from IBM, and Eloqua’s CTO, Steven Woods. You can find a link to the Webinar, including on-demand viewing after today, at Clickability’s site.

Photo Credit:goldsardine

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Vado HD Pocket Video Camera

by Chris Kenton on May 26, 2009

Over the past couple of months, I’ve been heads down and out of sight–even off Twitter, gasp!–working on SocialRep and working for our customers. I’ve finally got a few moments to come up for air, and I want to write a few posts about some of the cool projects our customers are developing. You can take this as a disclaimer: I’m honored by the customers we’re working with and I’m excited about what they’re doing. I’m not wearing the hat of a reporter, but of a marketing exec, so take any comments I make about products and services in that light.

For today’s post, I want to highlight Creative Labs, one of the most prolifically innovative consumer electronic companies out there. In the early days of the desktop revolution, Creative developed the SoundBlaster, bringing high fidelity sound to what otherwise would be just computing machines with video. What’s multimedia without sound? Years later, before anyone heard of the iPod, Creative began developing MP3 players, like the Nomad and the Nomad Jukebox, which later evolved into the Zen that Creative still produces today. They have an incredibly broad product line of computer sound cards, headphones, MP3 players, pro audio equipment, video conferencing equipment, home audio devices to wirelessly join your computer and stereo, and the Vado line of pocket video cameras, the smallest HD cameras on the market. I’ve joked they should market themselves as the Willy Wonka of consumer electronics.

Creative is working incredibly hard to redefine the way they develop and market products, and I’ve had the great fortune of working them on some projects. One of the benefits, of course, is scoring some sample products, and I took home an armload of Creative products to play with. One product, which I’ve become addicted to is a high-end gaming headset with a noise canceling microphone. I can do Skype calls from the coffee roasters and no one can tell I’m not in my office. But the product I wanted to shamelessly shill today is their Vado HD, a tiny hi-def video camera that’s smaller than your wallet, but shoots an hour of high quality video. The uses for a blogger like me are obvious, promising the ability to shoot interviews and customer case studies with a device I can fit in a jacket pocket. (Now if only I could fit my production and editing partners in a pocket too…)

So I shot my first ready-for-YouTube video this weekend. Peter Byck, the CEO of Winery Exchange invited me up to his family’s ranch and winery at Paradise Ridge for his annual holiday campout. Up near the winery, they’ve partnered with local artists to provide a place to install large sculptures. There are some truly amazing pieces of art, many of which incorporate sound and interaction. One of those pieces I captured on hi-def video using the Vado HD.

I still have a lot to learn about using such a small camera correctly. Ideally, you want to capture a short piece in one take with no need to edit. When you do, you can literally just plug the camera into a USB port, use the popup video browser to find your clip, press the YouTube button and fill out your video data, and the next step is watching your uploaded video on the Web. Check out the clip in HD if you have a good connection.

As I mentioned, Creative is doing a lot of work on redefiining their marketing approach. Keep an eye out for some of their new programs and campaigns. I’ll post more about what Ican, when I can.

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